Lip Flexibilities ** For All Brass Instruments ** Bai Lin ** Full Score – Study ** Performing Ensemble: Trumpet Unaccompanied ** Instrumentation: Brass ** Item . View and download Bai-Lin(1).pdf on DocDroid. Description. This Professor of Trumpet at the Central Conservatory in Beijing, China has composed an extraordinarily well organized page book of flexibility .
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Friday Review: Lip Flexibilities by Bai Lin and Lip Slurs for Horn by Howard Hilliard
As with all lip slurs, the level of difficulty varies widely depending on the level of execution. The following HTML tags can be used in the comment field: This site uses Akismet to reduce spam.
Notify me of new comments via email. Combined with effective practice and thoughtful instruction, lip slurs can be used to develop tone, technique, range, and more! Worth area, and has published numerous articles in The Horn Call. This forces me to be flexible and facile in all ranges of the instrument. Your name, email address, and comment are required. A Progressive Method of Flexibility Exercisesnewly revised and published by Meredith Music cover image linked from http: For horn players, the book would make a fine supplement for developing accuracy and flexibility in the high range the lowest pitch is an f-sharp below the staff.
In his introduction, Hilliard provides some valuable insight into the art of playing beautiful slurs.
Special thanks go to Michael Helman for pointing out this publication to me. By continuing to use this website, you agree to their use. EtudesRepertoireReviewsTechnique. A balance between variety and accessibility has been used to challenge the ear and combat the monotony of flexibiliites typical lip slur exercise while maintaining a logical and musical shape to the phrase.
Bai-Lin(1).pdf – DocDroid
Lip Flexibilities (Bai Lin)
Do not attempt to play in too high a register. We will not publish your email.
This will avoid hurting your embouchure or learning to play incorrectly. Manipulating the air stream is key, not flexibiloties in hitting the pitch but also in voicing each note with a full and ringing sound.
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Lip Flexibilities (Bai Lin) — Balquhidder Music
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Briefly, some of the benefits of practicing lip slurs include: Cancel reply Your name, email address, and comment are required. Next is to start a half step up from the beginning of the exercise on T23, working my way up to T0.
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Subsequent patterns expand both in range and rhythmic complexity, and the final exercises are truly virtuosic.
In his Preface, Professor Lin offers some excellent words of advice for practicing lip slurs flexibilitiew or anything else. Among the more advanced exercises, there is a wide variety of lip slurs that focus on very specific skills. Though written by a trumpet player, as the title suggests the exercises contained here are beneficial on all brass instruments. The air should be fluent and steady consistent.
Fill in your details below or lih an icon to log in: Dynamic and tempo markings are not included, but I would assume that these should be added and freely altered depending upon your own needs and capabilities.
Briefly, some of the benefits of practicing lip slurs include:.