Lip Flexibilities ** For All Brass Instruments ** Bai Lin ** Full Score – Study ** Performing Ensemble: Trumpet Unaccompanied ** Instrumentation: Brass ** Item . View and download Bai-Lin(1).pdf on DocDroid. Description. This Professor of Trumpet at the Central Conservatory in Beijing, China has composed an extraordinarily well organized page book of flexibility .

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Facebook Twitter Reddit Print Email. Cancel reply Your name, email address, and comment are required. I start out each as written on the open F horn, extending down to the fingering, then continue down using the B flat horn, down to T Learn how your comment data is processed.

During practice sessions your embouchure, throat and tongue should be naturally relaxed and flexible. Next is to start a half step up from the beginning of the exercise on T23, working my way up to T0. Do not attempt to play in too high a register.

Enter your comment here The following HTML tags can be used in the comment hai Subsequent patterns expand both in range and rhythmic complexity, and the final exercises are truly virtuosic. Notify me of new comments via email. In his introduction, Hilliard provides some valuable insight into the art of playing beautiful slurs. EtudesRepertoireReviewsTechnique.

Lip Flexibilities (Bai Lin) — Balquhidder Music

This site flexibioities Akismet to reduce spam. This site uses cookies. This forces me to be flexible and facile in all ranges of the instrument. The air should be fluent and steady consistent.


Lip Flexibilities (Bai Lin)

Though written by a trumpet player, as the title suggests the exercises contained here are beneficial on all brass instruments. Worth area, and has published numerous articles in The Horn Call.

Overall these are both great books, and well worth studying. For horn players, the book would make a fine supplement for developing accuracy and flexibility in the high range the lowest pitch is an f-sharp below the staff.

Discovering the right approach to the peculiarities of each exercise will maximize both the enjoyment and benefits of this book. In his Preface, Professor Lin offers some excellent words of advice for practicing lip slurs — or anything else. A Progressive Method of Flexibility Exercisesnewly revised and published by Meredith Music cover image linked from http: If you feel your embouchure is tiring or is uncomfortable, you should choose an easier section to practice.

By continuing to use this website, you flexibilitirs to their use. To find out more, including how to control cookies, see here: This will avoid hurting your embouchure or learning to play incorrectly. Flexibilitiee, some of the benefits of practicing lip slurs include: Combined flexjbilities effective practice and thoughtful instruction, lip slurs can be used to develop tone, technique, range, and more!

He also has a very informative website about the history of horn playing in Los Angeles.

Bai-Lin(1).pdf – DocDroid

As with all lip slurs, the level of difficulty varies widely depending on the level of execution. Though ubiquitous in method and etude books for brass instruments, these two publications really cover the topic in a progressive, systematic way.


Fill in your details below or click an icon to log in: Special thanks go to Michael Helman for pointing out this publication to me. Notify me of new posts via email. A balance between variety and accessibility has been used to challenge the ear and combat the monotony of the typical lip slur exercise while maintaining a logical and musical shape to the phrase.

Email required Address never made public. You are commenting using your Facebook account. You are commenting using your Twitter account. Briefly, some of the benefits of practicing lip slurs include:. On a triple, I then continue higher on the high F horn, starting on T and going up as high as I can.

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Dynamic and tempo markings are not included, but I would assume that these should be added and freely altered depending upon your own needs and capabilities. Sorry, your blog cannot share posts by email.


Always try to produce your most beautiful tone. Your name, email address, and comment are required. The exercises begin simply with half-note and quarter note slurs, beginning on open notes and moving downward through the harmonic series. Among the more advanced exercises, there is a wide variety of lip slurs that focus on very specific skills. You are commenting using your WordPress. Now […] Like Like.