EXTREME MAKEOVER JOHAN DE MEIJ SCORE PDF

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This is where the cornet and horn players take to the bottle to create a gamelan effect which sounds like a small fairground organ exteme timbre.

Besides composing, Johan de Meij is also very active in various musical fields. Bb Clarinet I 6. Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger.

He has won a number of international prizes and is recognised both in his home country and abroad as a composer of distinction. This fragile movement is joined seamlessly to the finale, a canonic treatment of the theme.

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There then follows an extended build up when the sense of change is palpable entries are marked ppp, but sense of measured heart beat is audible. F Horn III 2. The main theme of the Andante cantabile is based on a Russian folksong.

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Johan de Meij Amsterdam, September Instrumentation 1. It ends with a quote from Tchaikovsky’s 4th Symphony, before we come to what will be a section of writing that will surely be talked about for years to come.

The percussion section will have its hands full from very nearly the word go up to five players or more may be needed at any one timeand the timpanist gets the chance to shine at figure with a metamorphosis of the original theme. Quartet playing is something of a lost art, and playing with an intuitive sense of balance and with recognition of the main thematic line is the key.

Bb Trumpet III 2. Scorf Alto Sax II 2. The hohan metamorphosis emanates from a single tone, to which the two successive tones from the theme are added in bell-like chords. The build to the final section will tax bands to the full and contains a subtle key change or does it?

Johan de Meij Amsterdam, September Eb Horn IV 2. Klezmer Classics Planet Earth Score: Bb Clarinet II 6. AM Hal Leonard Instrumentation: We think it is a fine piece.

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Extreme Make-Over, Amstel Music – Hal Leonard Online

The opening section is set as a simple quartet, played and marked semplice by two solo cornets, a horn and euphonium.

The following movement features a rather unconventional ,eij group: This group eventually provides the accompaniment for an extensive marimba solo, gradually producing a sort of gamelan effect. As the title suggests the work develops in almost chameleon like forms from the kernel of the first four notes of the opening stanza. Additional Parts [for European countries only] 1.

English Horn F 1. On the Site 4barsrest Shop Podcasts 4br Vision. The addition of the lower second results in a completely new sound world, completing the first metamorphosis.

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Makeeover Trombone II T. The middle section is a tad overlong and can be seen as an attempt to rest the players before the final onslaught. F Horn IV 2.

Trombone II C 2. Here lightness returns, but with complex undercurrents in the horns and baritones.