MAKROKOSMOS GEORGE CRUMB PDF

George Crumb. Makrokosmos I, for amplified piano. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. View credits, reviews, tracks and shop for the CD release of Makrokosmos I -IV on Discogs. George Crumb’s Makrokosmos pieces for amplified piano were created during an especially fertile period of his compositional career. Crumb had received the.

Author: Arashizshura Shakajind
Country: Sierra Leone
Language: English (Spanish)
Genre: Literature
Published (Last): 6 June 2012
Pages: 256
PDF File Size: 4.58 Mb
ePub File Size: 14.8 Mb
ISBN: 454-5-23987-204-4
Downloads: 99907
Price: Free* [*Free Regsitration Required]
Uploader: Maunris

George Crumb on the DVD version: I want to express my appreciation to Mr. He employed unusual visual angles and imaginative special film effects to create an incredibly potent blending of the sonic and the visual. The record industry is poised at the very cru,b beginning of a totally new concept for delivering new music to the public and I feel that Mr.

Here again the visual elements support so eloquently the musical excerpts including music by John Cage and other composers. I extend my very best wishes for Mr. George Crumb Makrokosmos Books 1 and 2 Mode For anyone reading this who has yet to make the switch from VHS, there are no more excuses to live in the digital dark ages.

Can you believe the editor of this webzine just bought his first DVD player just two months ago? Maybe this Crumb video can be the motivating carrot that remedies the situation. Ah, life is much sweeter in DVD Land. Anyway, back to that George Crumb disc.

While the DVD vividly captures the sonic nuances of the concert hall, our eyes get a special play-by-play perspective. Oh yeah, I almost forgot to mention the parallel audio-only release on CD. By the way, the Crumb video is currently in my Netflix queue so I can watch it all again.

New Music BoxIssue 70 – Vol. Margaret Leng Tan performs the two twelve-movement cycles each of which is subdivided into three groups of four pieces, each piece dedicated to someone born under the corresponding sign of the Zodiac with exemplary precision. These pieces constitute a massive and detailed exploration of the sounding possibilities of the piano.

This may seem a mighty task, but solely the honest intention of achieving something like that is bound to reach far, and far he has reached.

The apparent ease of the flow of events in Makrokosmos may persuade one of an improvisational approach, but this is belied by the comprehensive sketches, with planning of the over-arching intent as well as the minute details. Crumb has designed the last of the four parts of the three divisions of the two sections as a symbol, thus in Volume 1 presenting piece number 4 as a cross, number 8 as circle and number 12 makrokosms a spiral.

As can be viewed above, Crumb also had an affinity for fantasy-evoking titles! Crumb has connected this musical venture with the star signs of the Zodiac. Crumb has exemplified the characters of the Zodiac with the initials of specified persons born under those signs, like Lorca and Brahms, to mention a couple. As the booklet text by Steven Bruns which to a high degree constitutes the source for these comments states, one of the more important aspects of Makrokosmos is the exploration of timbres, innumerable variations on nuances of timbres.

  ENCYKLIKA REDEMPTORIS MATER PDF

This is a true listening drumb for the clean-eared! Of course, many un-orthodox playing practices are exercised by the brilliant pianist Margaret Leng Tan, gforge plucking strings inside the piano, playing glissandi across strings, sliding a scrape along a string and so forth – and the truly extraneous sound appears in whistles and vocal utterances This reveals a peculiar, childish, humoristic whim, not unlike the counting and whistling in some Stockhausen pieces, or the bird whistles in some Cage works.

However, these objects do not, as with Cage, stay put during performance, but are inserted and removed by the performer during playing.

What better way to start a work of music than with a piece entitled Primeval Sounds? Yes, a long neck, a proud look, a fantastic hairdo! This music is new and old; a remembrance of past eras in this new rippling of fast moving fingers up and down the keyboard!

A glimpse, barely a glimpse Pastorale from the Kingdom of Atlantis is rinsed romanticism, somehow – a very short, beautiful pianistic bagatelle: The music geprge in slow breaths, hovering over the topography like ominous thunderclouds.

Makrokosmos vol.1

Yes, and this was just part 1 of Volume 1, and the rest of the set is just as varied; madly changing appearance, in a hall of mirrors of timbres and whimsical ideas, carefully executed by Margaret Leng Tan.

The Phantom Gondolier of part 2 of Volume 1 amounts to an intensive display of alternative ringing and rustling piano practices and the added pleasure? The music is exciting, the playing is marvelous – Mode feorge produced another great disc.

And please meet Mr. Makrkkosmos on track 11! As the pianist Margaret Leng Tan demonstrated on Saturday night at Zankel Hall, you must also be a physically flexible and focused actor.

Makrokosmos – Wikipedia

But producing the unearthly and exotic sounds involves much more than simply playing the piano. In one work she used a glass tumbler to glide up and down the depressed strings to produce distant banshee cries or whistles, all of which were subjected to discreet amplification that prolonged and bent the tones.

When some plucked string effect came off just right, Ms. Tan would thrust her hands into the air, her fingers spread, like a sorceress pleased with some new spice she had added to a gurgling brew. And in several pieces, while playing and scraping, Ms. Tan also had to sing and shout. On the surface many of these pieces can seem merely like timeless, amorphous essays in sound. The best ones are those in which the content of the music — the astringent harmonies, the skittish atonal flights, the crisscrossing contrapuntal lines — engage the brain as well as the ear.

The few times Mr. Still, it was impossible not to respond to Ms. The DVD version should be available again in several months. The music of George Crumb is certainly being celebrated this year to mark his 80th birthday. And Mode Records have re-issued a recording of both books of Makrokosmos, performed by Margaret Leng Tan, originally released in for his 75th birthday.

  ASOKE K TALUKDER MOBILE COMPUTING PDF

Extra-musical influences are offered in the designation of a sign of the Zodiac to each piece as crmub as a descriptive title. The initials of friends and family and influential figures from the past e.

In an interview with Robert Shuffett Peters Corp. Your calligraphy and careful notation have occasioned much commentary over the years. Would you comment on notation in general? I endeavour to make my own notation as simple and conventional as possible, since I want to communicate clearly and economically all the necessary information to the performer.

Of course notation can also be imaginative and provocative — I feel that all good music looks beautiful on the page. The extended sound-world of the piano called upon in order to perform Makrokosmos includes techniques such as glissandi on the strings, production of harmonics, percussion on crossbeams and the soundboard, pizzicato, the use of a wire brush, the use of a light metal chain, some paper to produce a metallic buzz, thimbles, glass tumblers, ctumb clusters as well as detailed use of the sustaining and sostenuto pedals, particularly in sustaining groups of notes silently and activating those particular notes through strumming or invoking an eerie resonance at the bottom of the piano.

Added to these techniques are various makroksomos effects such as whistling warbling makrokosmps theremin-likeshouting, whispering and moaning to further extend the sound-world. The extended techniques are not the only reason for this heightened resonance and reverberance. What Margaret Leng Tan achieves particularly well in her performance is the shading of the softer dynamics from p to ppp and she really draws the listener into the melodic shapes and layering of texture in this dynamic range.

On the other hand, though her loud playing is very powerful and with a roundness and fullness of sound, some of the loud staccato passages could benefit from an even more incisive attack. Her vocal contributions of words and eerie moanings are reasonably well judged and dramatic, where called for. But as these were composer supervised recordings, and the whistling is indeed very professional sounding, with good theremin sounds, Crumb must have supported the idea.

Pastorale from the Kingdom of Atlantis, ca. The Phantom Gondolier Scorpio G. Night-Spell I Sagittarius A. The Abyss of Time Virgo A.

Spiral Galaxy [Symbol] Aquarius B. The Mystic Chord Sagittarius R.

George Crumb – Makrokosmos

Rain-Death Variations Pisces ,akrokosmos. Cadenza Apocalittica Scorpio L. Cosmic Wind Libra S. Litany of the Galactic Bells Leo R. Agnus Dei [Symbol] Capricorn R. Every composer should be permitted an occasional flight of whimsy!